Amanda is a student at the University of Binghamton in New York. |
© 2004 Amanda Porter
There is something about
being a woman
that captures
my senses.
I stand
in front of a mirror,
naked—
and wish someone
would think me
a goddess
and sketch my body
on paper
as plain as my skin,
so that thousands
can see me, exposed
in the finest
of galleries.
I follow the soft light
from across the room,
I fix my eyes
on my tear-drop
breasts,
flowing into my
collarbone,
elegant neck and chin,
poised—
examining my
desires through
my pale skin
from the reflection
in a dirty mirror.
for my mother
I see you crying, woman;
knees pulled in to cover
what's left of modesty
your hair of chestnut
dipped in sunlight, draped
to dry over your shoulders
wrapped around your
blue breasts
bathed in tears.
You arch your back
as a bridge for me
to walk on.
You are unable to see
yourself behind blue
hands held before your eyes,
you are afraid of what
I might say if I
could see them.
I would notice how they glow
as blue fire blazes upward
as if to return home.
I was five,
or maybe six,
only allowed to ride
my bike in the
allotted time
before dinner
and after I
arranged my
times tables,
knit together
like battle plans,
and my spelling
words were in
perfect script,
resembling
the curves in
telephone cords.
I could ride
only in front
of my house,
in the spectrum
visible from the
living room window.
I couldn't cross
into the other
neighborhood,
over the hill
divided with
sidewalk chalk,
curved downward,
spilling into
another world,
another level of
existence I could
only dream about
from the
vicinity of my
mailbox.
Today, though,
after I scribbled
my last sentence,
I would taste
the air of this
uncovered
promise land,
I would indulge
on its sweetness,
its bubble gum
flavor, the wind
in my hair,
combing through
lies, I would
only go to the
corner and back—
I fell before I
reached the bottom
of the hill.
All work is copyrighted property of Amanda Porter.
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