Collin Kelley is a journalist, playwright, and poet from Atlanta. He is the author of Better To Travel and the host of The Business Of Words radio show. |
© 2004 Collin Kelley
Credentials
I
sit at a table with four famous poets,
but
only one acknowledges my existence.
I
am here by chance, a generous offer from
the
one who heard me read the night before.
But
it is the man who studies me like something
scraped
from the bottom of his shoe who asks
the
question: What are your credentials?
I
have not been published in The New Yorker,
Kenyon,
Atlantic, Poetry or Paris Review.
I
have a few credits to my name in
small
magazines, journals and online.
This
stammered response is not enough.
Will
never be enough. I am in my Jesus year,
and
I am crucified at a greasy spoon by someone
with
a wall full of degrees, five books and an ego
that
sucks life from the room. I am 33 years old
and
I do not have the proper credentials.
I
am not worthy to be at the table and the shifting
of
his body away from me ends any hope.
He
will not speak to me again that evening and
I
will not write a word for a week,
burning
myself down for not thinking of the words
to
say, to come back at him. They come later,
perfect
and ineffectual. They always do.
I
am the legacy of two emotionless parents
who
put on a game face at my late birth and
wear
it to this day.
Their
poker faces sent me reeling into the world,
searching
for emotions and signals and needs
yet
to be satiated.
I
survived two boys who stripped me of my
sense
of self so they could have one of their own.
I
lived through years of raised hands, threats
to
leave and threats to return.
Ran
into those arms like an un-tethered animal
too
stupid to be stunned by the stick.
I
sat at the same desk for 12 years writing
innocuous
words for others while my own words
circled
my neck like a noose.
Choking
on their need for release only to find
they
were not good enough.
I
took every rejection in stride, paying my dues,
waiting
for that spark that would make the words
transcend
into poetry.
Even
after some modicum of success, someone
was
always there to temper it.
What
journals have you appeared in?
Who
will publish your book?
I
will do it myself like Whitman and countless
others
before and after him. But it is not enough.
It does not have that scent of academia and cliques,
a
rarefied air.
Whitman
was a hundred years ago, a fluke,
an
accepted anomaly.
I
am told I missed my chance when I dropped
out
of college because I could not afford tuition,
nor
focus enough to complete remedial algebra.
On
many days, I have struggled just to stay.
Resisting
urges to swallow stashed pills,
sitting
in the garage with the door closed,
Fleetwood
Mac playing on the radio,
lulling
me to sleep in the backseat,
fumes
merging with a song from my childhood.
I
have lived another day to put pen to paper,
to
scratch out words to explain the descending
darkness
of mental illness, abuse, poverty and
a
childhood in purgatory.
My
god, man.
You
have the nerve to ask for my credentials
when I am sitting here before you. Alive.
All work is copyrighted property of Collin Kelley.
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© 2004 SubtleTea Productions All Rights Reserved |