Randall is a writer and freelance editor from Michigan. His book, Apocryphal Road Code, is due out in Spring 2010. Visit his blog. |
© 2009 Jared Randall
in spring…
(m- 43)
Missed the crest, the fork
in the road drowned too quickly
past your brick-lined house.
I'm lost and know it
but don't tell me when
it happened. Let me fly
a while beyond your finger
pointing me upraised
to my words. Let me down
hemlock before your wind
catches me upright, kneels me
below the blessed air
you breathe. Before I breathe
through open windows
know me better than night,
sweat-streaked and august,
our nudity trapped in closets, air
between our resting bodies,
our closing eyes unfolded
in wicker hampers.
We’ll run this constellation
less fixed than water perplexed
to standstill crystals,
our one shared tongue,
you and the moonlight's twirl,
we’ll walk driveway concrete
to your car in summer,
our misplaced meeting.
(i-75)
Your walk is your own walk, and my limp
won't likely change. Our lives
hurtle, ash-made worlds, up-Norths we imagine.
This log remains a stump
turning the lathe—yet to pick up
a chisel, to ride tough roads.
Our faces mirror their birthed substance,
we unfold and call this
movement, call it change—the same flower
closed, now irising open,
awake and soon to wink itself down
by degrees of lost
awareness, our tunnel vision closing,
tricked toward the last prick
of longing, from that first inrush of air,
but you, never expel me
from campfire lungs, over-inflated—
never, still heart wheeling,
never timber. Don't blast my stump
from its interstate spiral,
these gyred year rings
from your river’s uncut lumber.
vacation…
(u.s. 31)
Your goose-pimple flesh rides
untidy rhythms below sands
heaped castle-high.
My raft ashore
on blighted kneecaps. I smoke words
from dune tops three thousand stair-steps
above your Lake
Michigan plan
to go nowhere, to imitate
waves in their tidal cessation
of meaning. I
watch my tan line
recede from scaly therapies
matching the wind's first altitude.
When sunlight woke
from our best dreams
we dealt our cards jokers-up, spades
trump for fifteen years, thoughtless
rain-canvasses,
the silent drops
our tapping fears provoked, musty
with relieved mothballs and cardboard
yelps. For fun
we licensed coons
on their plastic baggie pick-through
before packing up sleeping bags,
a radio,
our one-man rafts
with double paddles and leaky
valve stems. Bloated, the memories
of clear-tipped waves
plunge us under
a surface not meant for sailing
toward. We tend layovers
along a route,
destinations
only. Whatever square campsite,
no backing in, no pulling out
unless over
falls, knocked against
the woodpile we carried with us.
beneath a tenement clothesline
(detroit, michigan)
Why do we limp this road,
and what is the meaning of crumbling
curbsides beneath the rush of
executive privilege?
Seems the gutters could not hold
a fuller demonstration of rubbish
passed on to our children by
these responsible eyes
peering out from white houses
dark with shades. Shutters
close it down, the sunlight
you and I still blink in.
There's this strange tugging in opposite
directions, as if we're suspended on
a clothesline between two
rundown tenements
and I cannot grasp your reaching
hand, your left foot waving circles
in midair jet streams after
a New York dust cloud.
(manhattan island, new york)
Hey, watch the billows, you call,
an eastern storm blowing a space
in our heads, a womb for
new thoughts on the fly
fished and netted to the bank
of our collective rage. Someone poured
straight concrete sides,
channeled us smoothly,
like a Northwest Passage
no explorer ever found while paddling
upstream against the current
of a falling geography,
an absence so manifest they
could only deny it and keep looking,
keep digging the St. Lawrence
a further west finger
because someone won't take
no. Because our railway crossings
don't stop for a generous
warning. We stretch out,
ride it further, throw the
clothesline and pull it tight under
the sun of our ambitions.
We'll be an island,
a fortress, an impregnable falls,
no matter who trips the clothesline, no matter
what clouds billow
down limping streets.
Commute
in Reverse
(i-94)
We peddle these roads, but how long
can our lives revolve in tandems,
fixed, the same four wheels, my hood
ornament, vectors of spatial
awareness, the distance and degree
of angular deviance required
to thread a cut-in maneuver
around, between that minivan,
this tractor trailer? What to call it?
I might say journey, but revolution
steals the thought and locks me
away from other words: thirst
or avoidance, an eye squint shut
after a close pedestrian call, a past
of duct tape clamping the murmur down,
Mercury repair manuals unspoken
against hours of fumbling fingers, numb
torn skin ripped-but-not-felt (as to pain)
over die cast parts, pleased beneath
a glaze of blood. The torqued grin
says let's try the same thing over
again, and again hold sure
what won't fix a water pump—
blown seal, reused gasket, brittle
prayer with extra glue from yesterday.
My mechanic arm scrapes against
an uneven surface of old patch
jobs that won't let go. Still
I drive and think words out loud
in my head: escape and grand-
theft selfhood. My dignity waits
on homeless lips, reams the wax
of untold ears, clamped orifices
of forgetting, that most willing act
of world creation around the sacred
driver's seat, the grasped wheel
and blinkered eye. I drive fast
from wrenches falling through
engine block cavities, screwdriver
knicks in cursed hoses. I drive
but steam hisses through hood cracks,
promises cloud, stalls frontal vision
down a road with no headlights. I
pull shoulder at first needle, gauge
my overheating, water, then ease
back in-lane, drive on for the sight,
the greater spray and cough, buckle
at journey's end. Whatever signs,
however far, roads take me there.
in the Straits
(mackinac city)
Sound me again:
trace the swells,
eyes.
Rankle her,
my eye-oceans
hidden
behind lace curtains,
perfumed as through
plastic gazes,
every lifting
hem to skyward.
Lick my pupil-dust.
Eye-drink images
known by touch,
lit and parsed.
Dip skinny waves,
arch me,
the perfumed
melancholy curtains
interlaced by gazes
you trace.
I swim home
through curtains,
lift them skyward
and above
to the blind,
the click-eye image.
All work is property of Jared Randall.
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