L. Ward Abel is a poet, musician and composer (Max Able/Abel, Rawls & Hayes), and spoken-word performer. He's also the author of Peach Box and Verge and Jonesing For Byzantium. Visit his site. |
© 2006 Ward Abel
It
was 1979.
Leaving
out of King's Cross station,
London,
we had two bottles of Port
and
some egg/tomato sandwiches.
By
the time we crossed the Tyne
we
were buzzed, thick, distant,
smiling.
I
had a cassette player,
played
some Celtic compilations.
Later
as we approached Edinburgh
under
darkness
an
orchestra hummed something
that
I've since forgotten.
And
in our youth we felt like
drunken
Caesars with nowhere to sleep;
but
in triumph.
The
cab that picked us up
beyond
the station
took
us up a hill (at least it seemed)
to
a section of town where people
actually
lived and worked,
and
to a guest-house-with-pub
that
had just closed. The cabbie
probably
got a kickback from the owners,
but
we were glad to be anywhere,
anywhere
in that fantastic setting
of
rock and kindness; no one shunning
just
admiring my accent. And I theirs.
They
even reopened the pub, and there
we
drank until very, very late. As I
stumbled
up the stair and entered my small room
I
looked out the window, and wondered how
this
Southern boy had come to be here.
At
city's edge
(or
so it seemed like an edge) a dead volcano
hovered,
beckoned me to dream.
Wrote
a poem as I sat on the bed:
Arthur's Seat at Night
On
that windy hill
I
felt
the
city
flash.
Seas
of the North
held
my palms,
combed
my
hair.
Yellow
lights, castles,
The
Seat
in
rock
blown;
For
a moment
I
was ancient,
then
I felt
my
young face.
Later
I did sleep,
(or
at least it seemed like sleep)
a
sleep
caked
with a millennium
of
strangers like me
in
such ideal settings
without
time to dwell
on
reality and
the
certainty of coming gales,
only
time to paint then repaint
paulo
post futurum
for
retro-
spection,
and
with young faces
All poems are copyrighted property of Ward Abel.
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